My earlier hopeful post about developments in Zimbabwe was obviously off target. Sunday’s Times carried a heartbreaking story about the horrific violence being used against opponents of President Mugabe as a runoff election approaches. Today’s paper reports that opposition leader Morgan Tsvangirai has decided that the level of violence is too high to justify taking part in the election. Meanwhile Mugabe declares, “Only God will remove me!” and South Africa has declined to put any serious pressure on Mugabe’s government.
Monday, June 23, 2008
Monday, May 12, 2008
Half of a Yellow Sun by Chimamanda Ngozi Adichie
Tuesday, May 6, 2008
PEN World Voices: Rian Malan
I read My Traitor’s Heart by Rian Malan not long after it came out in 1990. It was recommended by my ex-boss, a white South African exile who headed up the US office of the International Defense and Aid Fund. The book was frighteningly honest, he said, and when I read it I agreed.
Malan wrote about growing up in an Afrikaner family, rebelling against the prejudice that surrounded him, playing in a rock band, losing his virginity to an African woman, and becoming a crime reporter in Johannesburg. But none of this was simple. Malan wanted to feel solidarity with the Africans, but he was afraid of Africans. He witnessed terrible crimes by the security forces but other atrocities committed by anti-apartheid activists, and even some motivated by witchcraft.
Malan’s thoughts about race in South Africa remain complicated and uncomfortable, and his statements at the PEN panels on Memoir and Reportage and on Truth and Reconciliation reflected that.
It would take more thought, a rereading of My Traitor’s Heart, and research into Malan’s later writings for me to reach any real conclusions. In the meantime, hearing him prompted questions:
What is the value of honesty? Malan doesn’t spare himself in his memoirs, and the result is a compelling, even harrowing picture of a conflicted man. It is even, in its own way, a work of art. But honesty doesn’t guarantee correctness, and it doesn’t necessarily advance relations between the races. As Malan said about the South African truth commission, it opens up old wounds.
Should the crimes of freedom fighters be regarded in the same way as the crimes of the regime? This was a question that moderator Paul van Zyl touched on in the Truth and Reconciliation panel. Maybe the crimes of freedom fighters should be treated more leniently, because their cause is just. Maybe they should be treated more harshly, because the perpetrators should know better, and they don’t have the excuse of being trapped in the belly of an oppressive regime. Or maybe a line needs to be drawn between the justice of a cause and the actions of those who fight for that cause, as Michael Walzer argues in his book Just and Unjust Wars.
Does it distort reality to examine oneself too deeply or critically? Malan tells how, during his years in America, he would present himself as a just South African, an Afrikaner who couldn’t stomach defending apartheid by force. He said that he was "lying through my teeth," but reading him or listening to him forces you to conclude that it was least partly true.
By owning his negative impulses and not his positive ones, and by focusing on the worst deeds of the best people, Malan’s vision of the future turned dark. This habit of mind may have been one reason why Malan expected an all-out race war in his country that never came (he describes how he found himself peddling "my little blood pudding" just as Nelson Mandela was being released from 27 years in prison) and why he seems so dissatisfied by the work of the truth commission.
Sunday, May 4, 2008
PEN World Voices: Truth and Reconciliation: A National Reckoning
PEN World Voices: African Wars
The panel for African Wars brought together two writers whose work I had known and respected for years – Nuruddin Farah and Chenjerai Hove – with another, Abdourahman Waberi, whom I had met the day before and found sharp and engaging. I expected some harrowing stories, stinging denunciations, and tough proposed solutions. What I didn’t expect was the aimless, detached, abstract quality of the discussion and the troubling racial undercurrents that seemed to surface in the room.
The discussion got off track almost at once, after moderator Violaine Huisman threw out for reaction a quotation from Ryszard Kapuscinski. “Only with the greatest simplification, for the sake of convenience, can we say ‘Africa,’” he had written in The Shadow of the Sun. “In reality, except as a geographical appellation, Africa does not exist.”
“Africa does not exist?” retorted Hove. “Where is the man coming from?”
Farah and Waberi, quickly showing themselves to be more subtle than the plain-spoken Hove, said that of course Kapuscinski was referring to the immense diversity of the continent.
“Africa is too complex for the likes of Kapuscinski,” said Farah, dismissing the work of a man who covered twenty-seven revolutions and coups between 1958 and 1980. “Because it exists, that’s why we have wars.”
Hove tried to deal with the problem of war more substantively, but his comments covered familiar ground. The national borders established by the Berlin conference in the 19th century had no meaning for ordinary people, he said, and led to conflict. War is about the distribution of power and its benefits. Everything is political: even the chairs we sit on and the trees planted along the streets outside are there because of decisions made by human beings.
Hove’s points were valid, if a bit obvious, and could have been the basis for a deeper discussion. But perhaps because he presented himself more as a man of the people than an academic, and because he illustrated his points with homely anecdotes (one of them about a war that allegedly broke out between Botswana and Zimbabwe when a hunter chased an elephant across the border), the mostly white audience laughed for what seemed the wrong reasons. Those crazy Africans, fighting over elephants!
Farah’s contributions were more sophisticated but less helpful. Each reason for war that he offered seemed to carry the message that there was little we could do about it. War is a part of the national development of African countries, he said. The conflict in the Congo is the equivalent of the 30 Years’ War in Germany. Every form of industrial and mechanical development in Africa had been interrupted and frustrated by slavery and colonialism. However much you love your child, you must be willing to see it fall before it learns to walk. Wars, he said, do not happen overnight. They gestate in the hearts and minds of people.
What about Zimbabwe? asked a black woman in the audience. The chimurenga war of the 1890s was against colonialism, but the struggle today is for democracy.
Oh no, said Farah. Democracy is not something you fight for. It is something that happens at the end of a long process by which you grow and develop and eventually become a whole person. (Not a message likely to inspire those struggling to end the dictatorship of Mugabe.)
Though I have lived and worked in Zimbabwe, I don’t always enjoy the way my fellow white people talk about Africa at events like this one: sometimes trying too hard to show their expertise in all things African, but more often self-righteous or apologetic, trying to make plain that they are not like those other white folks with their backward ideas.
At this point a white woman spoke up to say that on a visit to Africa (I forget if she said exactly where) she had met many people whose voices were not being heard. What could be done to help them express themselves, to find their voices? I cringed a little at the tone – what can be done to help these poor people? – but waited with real interest for the answer.
“What kind of question is that?” broke in a black woman from the back of the auditorium. Farah seemed to agree, brushing away the question as meaningless, but Hove objected, defending not so much the question itself, but the woman’s democratic right to ask it.
However naïve the attitude of the questioner might have been, I didn’t see what was wrong with the question. And indeed, as I learned later, in another session going on simultaneously at the French Institute, the Nigerian novelist Uzodinma Iweala was describing how he had brought video cameras to an AIDS center in Africa, and the delight of the residents in using the technology to express themselves.
Maybe the quashing of the woman’s question was driven by an irritation in the audience that I felt myself. More than five million people have died in the Congo since 1998, in a war that, if it were happening in Europe, would be referred to as World War III. But by the end of an hour and a half nobody had made any practical suggestions to help stop the wars of the future. More African Union troops or UN peacekeepers? A crackdown on international arms trading? More funding of microfinance initiatives to increase prosperity?
And more to the point (since these were writers, after all, and not policy wonks), nobody had told a story that might inject the topic with the urgency it deserves – nothing that would render intimate and specific the familiar, easily ignored image of anonymous Africans dying in endless and meaningless wars.
Thursday, April 3, 2008
Change in Zimbabwe, at last
When I first went to Zimbabwe, in 1990, I had spent the previous several years raising funds for political prisoners in South Africa and Namibia. I was an admirer of Robert Mugabe because of his support for the ANC, and because he had overturned the expectations of people who expected him to be a tinpot dictator. He had improved health and education in the rural areas, welcomed foreign investors, and given farms back to white commercial farmers who had fled the country. I was troubled by the massacres a few years earlier in Matabeleland — in retrospect I should have been a lot more troubled — but I thought Zimbabwe could have ended up with a leader much worse than Mugabe.
By the end of my six months in the country, I had changed my mind. It was an election year, and thugs belonging to the ruling party’s “youth league” were intimidating and beating up supporters of the opposition. The opposition candidate for vice president was shot, though he survived. Other people who were inconvenient to the government tended to die in car crashes, sometimes in collisions with armored vehicles.
Joshua Nkomo, the widely respected leader of the ZAPU party, had been harmlessly neutralized as a minister without portfolio. I saw him at a ceremony for the tenth anniversary of the country’s independence — a huge sad man in a suit, staring at his lap. Meanwhile the ruling ZANU party was finishing construction on a new and brutal-looking tower in Harare.
Eighteen long years later, Zimbabwe’s economy is in ruins and its people starving. When I was there, the largest bill in general circulation was a blue note worth twenty Zimbabwean dollars. As I recall, it was worth about ten dollars. In January this year, the government printed new money:
On Jan. 18, Zimbabwe’s reserve bank put a $10 million bill into general circulation, a maroon-tinged piece of paper with a sketch of water gushing through a dam that might well have symbolized the escaping value of the note itself. Worth enough at the time to buy a chicken, it now will barely buy a few eggs, with a value of about 40 cents.As I write, Mugabe has admitted that ZANU has lost control of Parliament, but he has not yet stepped down. I hope he does so soon, that there is a peaceful transition of power, and that foreign governments and aid agencies provide the country with help that actually promotes development and not debt and dependency.
Friday, February 29, 2008
Honoring Achebe
It was strange to think, even after all my work on A Basket of Leaves, that modern African literature is only about as old as I am. But it was comforting and even inspiring to be in a big auditorium full of people who care about books, especially with so many Africans and Africans Americans there. Chris Abani spoke about discovering Achebe's work as a boy, because his older brother used to copy out passages from Things Fall Apart to impress girls. Chimamanda Adichie (her voice deeper than we expected) spoke of growing up as a professor's daughter in Nigeria, and how Things Fall Apart was the first book she ever read where the characters looked like her and had familiar names. Edwidge Danticat and Ha Jin were there too, and Toni Morrison spoke about an anthology of African literature she created for Random House around 1969. It was beautifully designed and edited -- she had brought a copy to show -- but due to the politics of the textbook business, or general lack of interest, almost no one bought it. I think times have changed in the last fifty years, at least a little.



